The bewitching artistry of mask making driven a deep-rooted passion for playing with materials, is wearing elaborately adorned, intricately beaded, bespoke masks that she handcrafts in her studio using a variety of materials, from antique silk and tassels to scruffy tea towels and raffia.
Blurring the lines between art, fashion and costume design, Kennedy’s work is unique, both in its aesthetics, which can be described as simultaneously baroque and post-apocalyptic, and sensibility, managing to unsettle and bewitch the viewer at the same time.
Recently chatted with Kennedy about her mask-making, her avatar, and her creative urges. London-based, Norwegian artist Magnhild Kennedy, the bewitching artistry of mask making driven a deep-rooted passion for playing with materials.
The Bewitching Artistry of Mask Making Driven a Deep-rooted Passion for Playing with Materials, A fluke
-; The bewitching artistry of mask making driven a deep-rooted passion for playing with materials, a fluke. I’ve always been a maker, but I have no formal art or design education.
-; I look at the masks as a development. Things you fold onto yourself. It’s been a long organic process and I’ve felt it as a very natural one all along the way. The making. It’s sometimes meditative and sometimes action-packed with lots of speed in it.
-; All of that I leave to the experience of others. For me it’s about play and to just put one material next to another. It’s all about the sculpting and making.
-; No designing and no overthinking. I just sculpt. Most of it happens [in the actual sewing and making]. [The Bewitching Artistry of Mask Making Driven a Deep-rooted Passion for Playing with Materials].
-; It used to be my Online avatar on different platforms in the early 2000’s. I was listening to a lot of German Industrial music at the time and just had a play with words. It lent itself to the mask project naturally. A word that masks itself! To me it has come to mean something like ‘married to one self’
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