A massive wave of luminous figures scales a dark wall in ataraxia by Eugenio Cuttica. One-hundred five fiberglass figures stand atop white chairs in rows that extend from the floor to the ten-meter high ceiling.
Part of an exhibition titled Ataraxia, the LED-lit installation invokes the ideas behind the Greek word, which roughly translates to imperturbability, equanimity, and tranquility.
The glowing project by Argentinian artist Eugenio Cuttica was on view in 2019 at the MAR Museum in Buenos. A massive wave of luminous figures scales a dark wall in ataraxia. Aires and explored the ways subjects can achieve balance and happiness through freedom from desire.
A Massive Wave of Luminous Figures Scales a Dark Wall in Ataraxia by Eugenio Cuttica
A Massive Wave of Luminous Figures Scales a Dark Wall in Ataraxia by Eugenio Cuttica. Ataraxia, the artist said in a statement, “points to a calm beauty, a calm but agitating act, moves the spirit and can even cause fear. It is an art that refers to the observer’s consciousness in its own insignificance and in unity with nature.”
In addition to the expansive wave, the exhibition also featured a series of wooden boats and paintings meant to reflect on fertility, abundance, the sublime qualities of Argentinian landscapes, and the ways art and food intersect. A Massive Wave of Luminous Figures Scales a Dark Wall in Ataraxia by Eugenio Cuttica.
The same feminine form is interspersed throughout and can be seen standing in one of the suspended vessels. A Massive Wave of Luminous Figures Scales a Dark Wall in Ataraxia by Eugenio Cuttica.
Cuttica currently splits his time between his studios in Buenos Aires, New York, Miami, and Milan. A Massive Wave of Luminous Figures Scales a Dark Wall in Ataraxia by Eugenio Cuttica.
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